Thursday, June 27, 2013

Saturn 2.0

My latest creative endeavor is a Kubrick 2001 meets Mugler inspired hat, or as I like to call it, "the sunroof hat." The crownless hat was custom-made to fit my head subsequent to multiple failures at attempting to alter cheap sun hats from Chinatown. Due to the altitudinous nature of my hair, I wanted a brim to orbit my head while my locks towered above. I call the look depicted below: "don't talk to me before my coffee. And I don't drink coffee."

The look above says to me "alt mod executive cosmic glamour" OR "stepmother who got your dad's PIN number on the first date."

I'm blessed to have Elizabeth Goodrich and Vianney Vega, my two amazing creative partner-in-crimes, to help make this vision into a reality.

Monday, June 17, 2013

Dear Modern Art,

...Suck my homemade breadstick.

Now now, before you send me hate-fueled retorts let me explain. This is not targeting the entire modern art community, just a few observations I've made. I'm merely defending dedicated artists whose works are being upstaged by frivolous pieces priced at exorbitant costs. And before you give me that "beauty is in the eye of the beholder" mumbo jumbo let me go into detail. This past weekend, my brother submitted his illustration to New Jersey's beloved and acclaimed yearly event "Art All Night," which takes place in the state's capital. This free event gives artists the opportunity to showcase their work during a 24-hour long event filled with music, food, and fun activities.

Artists submitting work price their piece at whatever value they choose. My brother made the conscious decision to not sell his work but rather donate it for peoples' visual enjoyment. Because it wasn't for sale, his illustration was displayed maybe an inch away from the floor, completely out of everyones' optical focal point.

And here comes my beef with some modern art. As long as you can corroborate your piece with some cryptic bullshit, it's classified as "abstract art." Oooooooh, this conveys the ambiguity of human nature towards towards cultural metanarratives and society's oppression of... BLAH BLAH BLAH and then it's this revered oeuvre. Really? Because what I'm looking at looks like a hypotenuse doing a keg stand on a piece of paper. Unless it's some abstruse insight into the mentality of a frat boy or the social structure of a college community, I'm not retaining any sort of social commentary or prolific message. What attracts attention to these sorts of pieces is either the name, price tag, or where the piece is being displayed.

What pisses me off most is my brother's impressive work is put on the god damn bottom under some fucking second grader's noodle and Elmer's Glue craft project priced at $2,700. I'm not saying young kids who submit their work shouldn't feel special. Children should be encouraged to explore their creativity and the arts. But don't fucking give me an attitude like your child is this artistic prodigy.  Oh, this is Rebecca, she's 7 months old and she outlined this with her Cheerios one morning and CAN YOU BELIEVE IT? What, did the Virgin Mary appear in her cereal and prophesied that your child's mediocre art would sell for a lot of money?

And once again, let me reiterate: I'm not trying to insult people whose work is not as meticulous as my brother's or other work that isn't heavily detail oriented. I am absolutely NOT harping on anyone's vision because if someone creates something, it obviously means and represents something to them. There are some very brilliant pieces which I've come across and love dearly.  I'm just uncomfortable with how certain pieces that evidently had a lot of hard work go into them that are donated for viewing pleasure are disregarded because there isn't a price tag attached to them.

"Native American Portrait" by Andrew Mania
As seen above, my brother's work is so realistic that it's often mistaken for a photograph. That's why his signature style is gradually fading the image down and leaving it partially unfinished to indicate that it is an illustration. So meanwhile, while my brother's opus is being treated like bottom-shelf liquor, there's fucking three year old's Maggie booger-smeared napkin priced at $5,000 being treated like it's Belvedere.

For an event that claims to celebrate art and foster a sense of community, they sure seem to care more about making a profit. If you're a real artist, touching peoples' lives with your work and provoking emotion from your audience should come first. The financial compensation should come second.

Wednesday, June 5, 2013

Amanda Bynes, The Preamble, and Product Placement, Oh My!

With hair that upstages the Empire State Building, why not use these attention-seeking locks as a canvas for my art? For a little less than a year now, I've been producing what I affectionally dubbed as "hair art," or probably more widely recognized as "hair stencils." From Lindsay Lohan to the U.S Constitution, each meticulously contrived piece designed to provoke stares of intrigue is saturated with a deeper meaning concerning culture and society.

Amanda Bynes
Lindsay Lohan

Ford Motor Company 
Advertise Here!
"Preamble Hair"
Photo on right by Nicky Digital
Pope John Paul II
Photo by Nicky Digital
Photo by Ky DiGregorio for PMc Magazine
The laborious method can take up to a week depending on how elaborate the actual design is. Text and logos are usually easier depending on the font and size. Murals of peoples' faces involve painstaking precision and patience. Once a portrait is photoshopped to negative, the tracing process on wax paper begins, followed by the overwhelming procedure of cutting out each detailed piece until it resembles the initial photograph. Cutting out each piece usually requires an X-Acto knife and, more often than not, my brother's surgeon-worthy hand. And finally, the stencil is sprayed on with $2 black hairspray that can be found at any Halloween or costume store. The gymnastics I perform during the application process qualifies me as a Cirque de Soleil contortionist. It's absurd.

With tragedies befalling young Hollywood starlets to product placement to subtle political tones, each piece conveys social commentary about our culture and society. My desire is to add my own flavor to the peroxide pantheon and graduate from the archetypal blonde iconicity. It's important to be aware of the influence you can spark with the attention you receive. 

So the only question is, who or what is next? It could be you! Just please don't throw a bong out the window that could hurt an innocent muggle.